Precipice, by Robert Harris (Hutchinson Heinemann, 2024)
In 2010, I was touring around New Zealand’s North Island in a campervan, and found myself in a “Top Ten” camping site just outside Dargaville, north of the Kaipara Harbour. I saw a beautiful woman, less than half my age, sitting in the lotus position like a squaw outside her wigwam, her long fair hair in a ponytail, reading a book. Later, I was titivating my van when she suddenly appeared in front of me and said, with a directness which I came to realise was her defining characteristic, “Where are you going tomorrow?” I said, Auckland. She said, “Can I come with you?” I had the odd notion that if I had said I were going in the opposite direction, to Cape Reinga, she would have said, “Can I come with you?” I said yes.
She was from the Netherlands. Call her Kate. She was a great linguist. “I am learning Maori. It is pretty easy.” Her English was perfect. She was very fond of English literature. We even discussed Chaucer, and the Latin tag “Amor vincit omnia.” I had always thought of that as a benison; two people linked by mutual love would conquer the world. But to her it had a quite different meaning. If you were debilitated by love, you would be useless, unable to wage war on behalf of the state.
I thought of Kate’s interpretation of Amor vincit omnia when I read Precipice. It is always a pleasure to read a new Robert Harris novel. He writes what are called “intelligent thrillers”, well crafted, intensely readable, often based upon a true historical event. Walter Scott did the same. Indeed, Robert Harris won the Walter Scott prize for historical fiction for his account, and imaginative expansion, of the Dreyfus affair, in An Officer and a Spy. Munich features Chamberlain, Lord Dunglass (Alec Douglas-Home) and of course, Herr Hitler. The Ghost is a ghost writer writing a biography of, I fancy, a thinly disguised Tony Blair. Precipice is no exception to this pattern. Here, the starting point is the correspondence between H. H. Asquith, who was British Prime Minister between 1908 and 1916, and Venetia Stanley, a woman of high caste less than half his age, and a contemporary of Asquith’s daughter Violet, later Lady Violet Bonham Carter.
But the correspondence is one-sided; we only have Asquith’s letters to Venetia. Venetia’s letters have not survived. Therefore Harris has had to make them up. Yet, as the author says in a brief note, “All the letters quoted in the text from the Prime Minister are – the reader may be astonished to learn – authentic.” They are quoted verbatim. They are love letters, deeply passionate. In the first edition of Roy Jenkins’ biography, Asquith (Collins, 1986), Jenkins rather toned down this aspect of the correspondence out of respect to Lady Violet, who was still alive. And indeed, in Violet Bonham Carter’s Winston Churchill as I knew him (Eyre & Spottiswoode and Collins, 1965), Venetia is indexed once, and gets a single mention, and barely a mention at that. But it’s not really the declaration of love that is disconcerting; it is the casualness with which Asquith kept Venetia apprised of the machinations of high government, including the period up to and beyond the start of the First World War. Venetia knew more state secrets than many members of the cabinet. Asquith would send her official telegrams received from ambassadors in Paris or Berlin. He even sent her decrypted copies, known as “flimsies”, of strategic war planning, and naval manoeuvres. When I read this, I was reminded of John Buchan’s The Thirty-Nine Steps, in which, on the eve of the war, a German spy sits in on a meeting of the Admiralty, committing to photographic memory the disposition of the fleet. His disguise as the First Sea Lord is achieved not by any elaborate cosmesis, but by the creation of “atmosphere”. He crops up again in Mr Standfast when, in the persona of Moxon Ivery, he is not recognised, until the terror of an air raid “dislimns” his features, and Richard Hannay will never again be hoodwinked by Herr Graf von Schwabing.
But truth is stranger than fiction. In the real world, Asquith and Venetia would take a drive, chauffeured around London, discussing the disposition of the fleet, then screwing the flimsies into a ball; and tossing them out of the car window. Had such documents fallen into the wrong hands, the enemy would have been provided with a ready-made code-breaking key. The German High Command could have deciphered the British codes, much as the British “Ultra” broke the German “Enigma” in the next war. I wonder what Winston, then First Lord of the Admiralty, would have made of that. And I wonder if John Buchan, who to all intents and purposes ran the British propaganda machine during the Great War, had some inkling of it. He knew Asquith, who he said had every traditional virtue – dignity, honour, courage, and a fine selflessness. But he was – Buchan’s word – impercipient. And he knew Asquith’s son Raymond, an Oxford man, very well. In Memory Hold-the-Door he writes of Raymond, “As a letter-writer he was easily the best of us, but his epistles were dangerous things to leave lying about, for he had a most unbridled pen.” Clearly, a family trait. Raymond Asquith was killed in the war.
With respect to H. H. Asquith and the flimsies, one might imagine that such cavalier behaviour from the Prime Minister would not be seen in Britain today, but of course it’s not true. People are forever leaving folders, marked Top Secret, in taxi cabs and railway carriages. Politicians carry documents while walking along Downing Street, blissfully unaware of the paparazzi with their telephoto lenses.
Thus, in Precipice, the finding of classified information scattered around the streets of London starts a police investigation in which a fictionalised police sergeant in the Special Branch gradually pieces together what is happening. What is the Prime Minister up to? Is it mere love-sick folly? And is Venetia passing on information? If so, to whom? Is she a security risk? Spoiler alert – but now we are firmly in the realm of fiction.
Reading Precipice, fiction apart, one has to be impressed by the Royal Mail of the time. They were providing four deliveries a day in the early part of the twentieth century. Now we are lucky if we get four a week. And the price of a first class stamp (3d, as I recall, when I was a child), is about to go up to £1.65. They say nobody uses the post anymore. Everybody’s on WhatsApp. We think our means of communication have changed, but Asquith’s obsessive correspondence with Venetia is remarkably similar to today’s incessant texting amongst teenagers. They text “C U L8er”, and Asquith, and his contemporaries also used abbreviations like “yr” for “your”.
Reading Asquith’s letters to Venetia, a strong sense of vulnerability and neediness comes through. The relationship seems to have the fragility of those frequently encountered in the short stories of Katherine Mansfield. It can’t last. Sure enough, eventually, and abruptly, Venetia married a man in Asquith’s government, Edwin Montagu, and broke the Prime Minister’s heart. It seems incredible now, that the head of the most powerful empire in the world, in charge of the prosecution of the Great War, was preoccupied, obsessively writing three letters a day to a young woman. Maybe my Netherlands friend Kate was right. Amor vincit omnia.
We said goodbye in Auckland. I said, “You didn’t half take a chance, thumbing a lift from me.” She shrugged and said, “What is life without chances?”
